It's about the fine line between lying and encouraging, sparing someone's feelings vs. This one is about a fidelity of a sort, the kind broken with good intentions. So often, relationship dramas are about infidelity. It often feels like nothing is happening-"A show about nothing!"-but within the carefully observed interactions are thought-provoking ideas about how relationships work. Written and directed by Nicole Holofcener, "You Hurt My Feelings" has a very "Seinfeld-ian" co-dependency premise. "I'm never going to be able to look him in the face again," Beth says. By accident she overhears Don talking to a friend about her book, and he doesn’t like it. Into this maelstrom of self-doubt comes a cutting remark that sends Beth into a deeper funk. Meanwhile Don is having trouble connecting with his patients and their 23-year-old son Elliott (Owen Teague) is having a crisis of confidence. "Refugees, cancer, murder, abuse."įeeling she is an "old voice" in a rapidly changing world, Beth is devastated. Her agent Sylvia (LaTanya Richardson Jackson), however, thinks the novel needs to touch on more hot button topics and needs a complete rewrite. As a first reader, her therapist husband Don (Tobias Menzies) has studied each of the drafts of the book, and always told her how much he loves the writing. Louis-Dreyfus is Beth, a memoirist and writing teacher, struggling with the reactions to her second book. "You Hurt My Feelings," a new Julia Louis-Dreyfus relationship dramedy now playing in theatres, is about the little lies we tell one another that can balloon into much bigger deals. "The Little Mermaid's" message of a young person giving up their voice so they could be heard, is unchanged, and is still powerful, but feels waterlogged by comparison to the original. Those slow spots give the storytelling a choppiness that would capsize a lesser vessel, but Bailey's strong, emotional vocals and star-making performance coupled with a fun turn from Daveed Diggs as the "educated crustation" Sebastian keep the ship from sinking. The psychedelic underwater cinematography will give your eyeballs a workout and it has a good beat and you can dance to it.īut for every Ziegfeld Follies style dancing sea slug number-super cool-there is yet another movie-stopping scene of Ursula's endless exposition where she explains her nefarious plot or a padded action scene. "Under the Sea," a holdover from the first film, is a knockout. Marshall, a veteran of big musical extravaganzas like "Chicago" and "Into the Woods," is at his best when applying a Broadway style gloss to the musical numbers. That's the magic that made the ink and paint "Little Mermaid" an enduring classic. The new songs, by Alan Menken and Lin-Manuel Miranda, are good too, particularly the fun "Scuttlebutt."īut it feels like something is missing. The 2023 photo-realistic animation is very good, presenting beautiful, fluid images, buoyed by theatrical flourishes from director Rob Marshall and strong performances from Halle Bailey and Melissa McCarthy. You can't shake the feeling, while watching the new "The Little Mermaid," that it is competing with itself. A steep price tag that could cost King Triton his crown and Ariel her life. Ursula's "premium package" comes at a high cost, however. But if you don't, you'll turn back into a mermaid and you belong to me." If you do, you will remain human permanently. Before the sun sets on the third day, you and Princey must share a kiss, and not just any kiss. "I'll whip up a little potion to make you human for three days. "I just want to know more about them," she says.įollowing her heart, Ariel makes a deal with Ursula (Melissa McCarthy), an evil sea witch with glow-in-the-dark phosphorescent tentacles, who grants the mermaid's wish to be with Eric in trade for her "siren song," i.e. "This obsession with humans has got to stop," scolds King Triton. She is immediately smitten, and determined to live above sea level. Her dry land dreams are fulfilled when she rescues the human Prince Eric (Jonah Hauer-King) from drowning. "Walking around on those… what do you call them? Oh feet!" Unlike his daughter, the overprotective King is no fan of humans and has forbidden her from visiting the "above world."īut, like the song says, she "wants to be where the people are," despite her father’s warnings. She is a free spirit, fascinated by the human world. Singer-songwriter and actress Halle Bailey stars as Ariel, the mermaid daughter of the Kingdom of Atlantica's ruler King Triton (Javier Bardem). Based on the 1837 Hans Christian Andersen fairy tale of the same name, the new film places the titular mermaid in an undersea world that brings to mind your work computer's aquarium screensaver. Disney takes you back under the sea with "The Little Mermaid," the latest of their photo-realistic, live action remakes of classic animated movies.
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